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Place Of Memory

When visitors get closed to the vessel and start to talk, the first state of the installation stops. The vessel begins to light in response to the amplitude of voice. When they shut up, after a while, the installation start to process this information and second state starts.

This recent voice that has come to the place, is converted to a subtle whispering, and played around the cubes. The time organization on this state, is an logarithmic timed proliferation of remembering going from the newest until the first remembering of the day, all process lasting about 5 minutes.

Then, the first state comes back. The sound is spacialized around ten cyphered cubes, giving the idea of trajectory, number, and border. The border is a concept that appears in many components of this work. First, because the work is inspired by the serendipitous encounter of a vessel, made of clay, material in between water, sand and earth. In the development of the work it was very important to find the most homogeneous way to fit everything in a place, trying to give more value to the experience of listening than seeing. The color and shape of cubes are complete visible when they sound, the same the vessel.

]]> http://zztt.org/sound-installation/osmos/feed/ 0 http://zztt.org/sound-installation/azul-pensar-hasta-88-contar/?utm_source=rss&utm_medium=rss&utm_campaign=azul-pensar-hasta-88-contar http://zztt.org/sound-installation/azul-pensar-hasta-88-contar/#comments Sun, 20 Apr 2008 11:14:08 +0000 admin http://zztt.org/?p=239 2008 Sonification by video Variable-size object installation ObjetoA Gallery Buenos Aires, Argentina ]]>

At the  main staircase’s rest await visitors headphones resting on a rack. In front of them disguised as a window hatch with a small peephole. Both are an invitation to immerse yourself in the space issue is doing at that moment the crew of Cordwainer Smith story “Blue thinking until two count.”

“Before the great ships whisper among the stars at the hands of the planoforma, people had to fly from star to star with immense sails: huge armed membranes in space on a long rope, rigid and cold test. A small boat space provided enough space to handle a sailor sails, check the path and watch the passengers who were tightly enclosed in their little abiabatic capsules , huge knots in thread carried by the ship. The passengers knew nothing: they slept on Earth andawoke in a strange new world 40, 50 or 200 years later. “ ”Blue thinking until two count” Cordwainer Smith, 1962.

The goal: to remind us of the sense of hearing and potential construction of visual images: “The restriction on the perception of the work is intended to enhance the care and length of experience and the enforcement of the audio material over the visual. It also interacts with the story that was inspired APH88C, Blue Think up two counting Cordwainer Smith. “

Observers navigate a universe resulting from the confluence of Smith and Azzigotti proposals.The artist’s proposal takes the form of a video as a temporary score and visual, it generates a spatial and temporal organization timbre of sound materials in this case refers to implementing extended techniques on a grand piano. The video is itself an exploration of shapes, colors and shapes of the instrument inside.

“Relating the inner vision can be an instrument with its sound, and putting it into play together in an audiovisual work. The sounds are sometimes associated with the action that produces them, but sometimes only symbolize the idea of trajectory and travel linking with the image itself always in a slow and ample movement. The materials are inspired very loosely on an old tale of Cordwainer Smith, and Paul Linebarger (1913-1966) called “Think Blue, Count Two” Objeto A.

Desordre Simulator 1.0

Instructions:

.Download Desordre_Emulator

.Download

(installs runtime components of Visual C++ Libraries required to run applications developed with Visual C++ on a computer that does not have Visual C++ 2005 installed. )

or here

This video is made by extracting musical patterns from video data. The title refers to material condition ( raw: without any process, minimal processed data), and the approach to the residual material of radioelectric communications.

Torrentes extenderse es una obra realizada con un instrumento interactivo que consta de generadores de video y de un transductor de imágenes dinámicas a sonido cuadrafónico en tiempo real. el principio de funcionamiento es el mismo utilizado por fernando von reichenbach en su convertidor gráfico analógico catalina (1967).

este emulador de catalina, es capaz de producir información de video, analizar las imágenes en movimiento y tomar decisiones de mapeo en tiempo real dependiendo de estructuras de composición algorítmica. torrentes extenderse toma materiales de los bordes semanticos de las transmisiones televisivas como ser las señales de ajustes y el ruido blanco de fin de transmisición. estos remanentes de información son tomados aqui como materia principal y puestos en relación segun procedimientos de la música electroacústica.