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dima
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iedro
Program Note
Iedro locates the pianist in a performance position between standing and sitting. Its title is polyhedron's apheresis (from greek poly/many and edros/faces or bases) that reflects the piece's multifaceted structure.
Each timbral face comes together to form a lyric continuum. This continuum is located also in a interstitial space between the extent of sound without a teleological feature set and intersection points where it can be settled expressive arches forever changing, depending on the specific resonance of each instrument and player's body position. It was composed in late 2009 in Buenos Aires.
Versions
Versiones
Score
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Nota de programaIedro sitúa al pianista en una posición de ejecución entre el estar parado y sentado. Su título es la aféresis de la palabra poliédro (de poli muchas y edro caras o bases) . Estas "caras" tímbricas conforman un continuo lírico común. Ellos se ubican también en un espacio intersticial entre la extensión propia de cada timbre sin un rasgo teleológico definido, y puntos de intersección, donde pueden establecerse arcos expresivos siempre cambiantes dependiendo de la resonancia particular de cada instrumento y la posición del cuerpo del pianista. Fué compuesta a fines de 2009 en Buenos Aires.
Versiones
Detalles
Duración 4' 10''
Partitura
Program note
Iedro locates the pianist in a performance position between standing and sitting. Its title is polyhedron's apheresis (from greek poly/many and edros/faces or bases) that reflects the piece's multifaceted structure.
Each timbral face comes together to form a lyric continuum. This continuum is located also in a interstitial space between the extent of sound without a teleological feature set and intersection points where it can be settled expressive arches forever changing, depending on the specific resonance of each instrument and player's body position. It was composed in late 2009 in Buenos Aires.
Versions
Details
Duration 4' 10''
Score
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