In this notion , there are past, present and future works. Updates are posted through Instagram
texts by me
m5live, 2022
gérard, 2018
philosophical matrixes of experimental music, 2016
kimi, 2010
un gran solo, 2010
by others
una correspondencia..., pablo araya, 2020
inervación y segunda técnica en vilanos, daniel halaban, 2018
are scores maps?..., daniel miller, 2017
el software generativo en situación de concierto..., alma laprida, 2017
at Haute Ecole de Musique Gèneve
web audio code central
internet music
Can we understand the Internet as one of the major tasks that our generation must interpret, shape, and re-discover? From studying the historical-societal and cultural environment of its foundation until the last implemented technologies on the browser, this class will focus on the creation of online instruments and art-pieces.
at Universidad Nacional de Tres de Febrero
Instrument 1:Acoustics and Organology
Instrument 2: Protocols and Hybrid Music
science and music
How can numerical thinking contribute new mental models for thinking about music? What are the points of common emergence between the history of music and its tangible and intangible artifacts? Is it music that predicts scientific paradigms, or can the speculative-mathematical method of science construct musical meaning?
musiki
projects (soon)
bioshock
incursion
the purjinke collective
the whorl
limo
pleroma
pansmermic
hiperincursion
apomixis
kokon
bulle
micelio
espinor
aquenios
vilanos
microbeatlogic
qualia
iedro
electronic, code and net-art (soon)
m5live
zelenbot
collision
spam
bandoneon simulator
installations
event horizon
1978
singforme
osmos
collabs
film scoring
reel
una habitación simple, 2021
the intruder, 2020
submerged family, 2018
zama, 2017
te nombro azul, 2015
dance
naked mind, 2022mental activity, 2012