Biblioteca Contemporánea Concert Series.
Ex-formative objects, works for solo instruments by Luciano Azzigotti
A deformed musical object that extends its polysemy beyond sound can be a tool for disregarding the world. Drawing a blind map, being the generators of our own invented sensory stimuli, removing the intermediary that carries information from reality to emotions, unstacking and erasing, not informing but deforming.
Performers
Ricardo Cuadros Pradilla (guitar, Colombia).
He pursued classical guitar studies at Universidad El Bosque in Bogotá, the Manuel de Falla Higher Conservatory of Music, and completed a Higher Diploma in Contemporary Music. Throughout his career, he has performed as a soloist and chamber musician in Colombia, Mexico, Argentina, Cuba, Chile, Peru, and Honduras. He has participated in festivals and concert series such as the 20th Guitarras del Mundo Festival, the 27th Havana International Festival of Contemporary Music, and the 15th International Festival of Contemporary Music at the University of Chile, among others. He currently works as a lecturer at the National University of Tres de Febrero.
Géraldine Thébault (flute, France).
A permanent member of the Container ensemble and a guest artist with Ensemble Sound Initiative, she is a flutist specialized in contemporary art music. She graduated from the Royal Conservatory of Brussels, earning a Master’s Degree in Music Performance. She has worked regularly with artists and composers from PARTS (Belgium), l’Abrupt (France), Benjamin Vandewalle (Belgium), Court-Circuit (France), and the National Orchestra of Belgium. She has been invited to major festivals worldwide, including Manifeste (France), Brisbane Festival (Australia), and the Internationale Ferienkurse für Neue Musik Darmstadt (Germany). She is a tenured flute professor at the Conservatory of Châtellerault (France).
Gabriela Czerednikow (harp, Argentina).
Born in Buenos Aires, she is a graduate of the National University of the Arts and a certified music teacher. She has been a member of various orchestras and contemporary chamber music ensembles. A graduate of the Conservatoire à Rayonnement Régional d’Aubervilliers, she continues her career as a solo harpist specializing in contemporary music, participating in 2017 in projects such as La Niña Helada (Recoleta Cultural Center) and El Universo en un Hilo (TACEC, Teatro Argentino de La Plata).
Luciano Azzigotti (piano, composition, Argentina).
He studied piano at the Alberto Williams Conservatory of Music in Buenos Aires and composition at the National University of La Plata. He has received commissions, distinctions, and grants from the National Directorate of Music, the Ministry of Culture, the Teatro San Martín Concert Series, and the National Endowment for the Arts, among others. He founded conDIT (a concert platform of the Technological District, 2011–2016) and the Container platform. He currently teaches music in the courses Composition Seminars, Instrument, and Science & Music in the Music Degree program at the National University of Tres de Febrero.