Decentering vibration

This work contributes new theories of composition practice and practice-led methodological proposals aimed at rethinking the interplay of social formations and material conditions in written music, interrogating the disciplinary constitution of the field. _Decentering Vibration_ proposes a music that composes velocities rather than sound alone — a field in which the full vibratory spectrum, from the solar cycle and the heartbeat to cochlear perception, unfolds on a common, non-hierarchical ontological plane alongside the intervals of light and colour, of heat, gamma rays, and frequencies not yet amenable to quantification.