On the usefulness of the album and contemporary Argentine music

The first piece, which not unintentionally opens the albun, is Vilanos, from Azzigotti, for amplified flutes. Throughout eleven minutes, the author works with a repertoire of tiny gestures, breaths, keystrokes, what are known as non-pulmonic sounds, and also converts each hole in the flut into a kind of closed tube with its own spectral components. The extendede tehcniques of the flute brings, from the electricity's hand, to areas that could be shared with acousmatic music. The piece surprises by the power which is derived from the minimum.