I was comissioned by Teatro Argentino to create the music of this performatic work. The ensemble of this project was conceived as a non-hierarchical integration in relation to the voices. For this it was necessary to decouple the functioning of the vocal tract (as it twas applied on the interlude jaquard, organizing it from its valves and filters. This led to increase the activity of certain areas of the vocal cavity and the tongue. Especially the velar and uvular-oropharyngeal zones.
Trying to generate a homogeneous orchestration, he first modified the percussion instruments.
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