iedro

Iedro locates the pianist in a performance position between standing and sitting. Its title is Polyhedron’s Apheresis (from Greek poly / many and edros / faces or bases). These sonic faces form a common lyrical continuum, placing the work in an interstitial space between the extension of sound without a teleological feature set and points of intersection where sound can settle into expressive arches, constantly changing depending on the particular resonance of each instrument and the performer’s bodily position. It was composed in late 2009 in Buenos Aires.